after a break of four years, robot ranch records presents a new double ep from ash carr, artist and producer from leeds (uk). the record includes three original tracks as well as three remixes from h.off.i, schwarz weiss and freq freq.

dan farserelli releases the runnings thoughts ep, his first solo outing on the fuse london imprint. running thoughts kicks things off with a sub-aquatic joy ride of deep and twisted beats, shards of static sound puncturing through to lend the track an otherworldly feel. another day toughens things up with a booming kick and more focused dance-floor sensibility whilst the eps vinyl only track lost inside injects a sense of melancholia with its eerie pad imbuing the groove with a trippy edge

norm de plume enrols rotterdam based ben la desh for a joint 4-track ep (vinyl-only). theres an original track from each of them with both producers swapping remixes to round off this uniquely collaborative release.

the fifth instalment of our vinyl only series! wolf reach number five in their vinyl only series welcoming two new artists to the pack as well as new some familiar names to any fans of the label. the ep opens with ishmael, an artist who is becoming increasingly present on the label. gracey x is a departure from the artists signature sound and he delivers a more peak time track while retaining a soulful element. up next homeboy takes on back to the masses and delivers a fine dub. the flip opens with a live take analog jam from the illusive black fan while dutch duo, muzikschaft step things up to round off the ep. all tracks have been premiered on rinse fm & beats in space in nyc

matches sets the scene alight in the early months of 2015 with this multi-faceted four track burner on arkhive london. having cut his teeth on the east london party circuit as a dj under various monikers, matches has carved a superior workout inspired by some of motor citys foremost ambassadors of dark funk. this package is a full expose of his range as a producer, starting out with some early evening swagger before easing through the gears to a climax of an altogether housier ilk.

uk techno stalwart steve bicknells lost recordings series must be one of the longest running in dance music, the lost and cosmic founder has been putting out previous unheard material from his early 90s heyday on and off since 2004. there are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. the hissing, spacey, cymbal-heavy track 3 is particularly trippy, while theres a gnarled, ragged intensity about the pulsating heaviness of track 1. arguably best of all, though - ambient interlude track 2 aside - is track 4, an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.

red motorbike has been a handsome vehicle for eddies own, ever-essential output, alongside some specially selected collaborators across 9 glorious releases. here, the head honcho rides out again, accompanied by the nearest and dearest from the label family. high road is a one-off double vinyl celebration of all the label stands for brilliantly reworked mid-tempo cuts, sample house jams, psychedelic soul rewires and head-nod heavyweights, all sticky with the funk and sure to work well from beach bar to barn dance. the track curation is second to none, and you can be sure theres no filler here!

juan sanchez delivers his first single on the raw sounding drumcode limited with two monster sounding tracks. both tracks represent the gritty, tough side of the drumcode spectrum and deliver two peak time tracks that will finish a dancefloor off. using filtering hats, low end rumbles and outlandish beeps, juan sanchez encapsulates the sound of drumcode limited.

silkscreen artwork - hand-stamped - limited to 300 copies. after chris mitchell, xdb and walt j, parisian label unlearn is back with a various artists from european fellow producers. a versatile cut between mental lands, dubby shapes and g-funk territories that confirms the label’s strive for eclecticism in electronic music the release starts off with juckis (100693 mix) (a1) by copenhagen underground posse (c.u.p) affiliated artist kasper marott, a strong and sensual track between dub and house. the ingredients are simple but effective: deep chords, groovy bassline and driving snares. jackin in paris (a2) is something else. this analog number by hyperdubs jkamata mixes the artists uber-funky roots and his taste for polished house rhythms. be sure to check his supertronic duo project as well, these danish cats definitely know how to do it.the flipside explores a more mental side of dance music starting with the refined north (b1), the kind of track you cant really put in a box. labels co-owner caseer aka raphaël cesario takes you on a trip through his elegant universe made of harmonic pads and syncopated rhythms. misi from basel ends this v/a with helios (b2), a maurizio-esque cut that will please the amateurs of proper dub.

the off-kilter beauty on the surface of panoram s music belies the undercurrent of curdled visions and nightmares that reside below, indeed his music has once been described as sounding -like a painting by edward hopper hanging in the living room of bill pullman and patricia arquette in lost highway-.

london based us producer lance de sardi joins the hudd traxx fray for the last 12inch before the label hits 50 releases and commence the 10th anniversary celebrations. although there s only three cuts on west country, de sardi more than shows his diversity as a producer and it s a fine addition to a discography that dates back to the 90s.pariah kicks the ep off in fine style with smooth beats, an infectious vocal and lush pads ensure that this will be a big one for the heads. flip for the b side and find a tough acidy number in youth, and a groovy track in race the clock which is made for the dance floor. 2015 is already proving to be a big year for hudd traxx following releases from iron curtis & nachtbraker, and lance de sardi keeps the flag flying high with this solid ep.

warp präsentiert mit der cargaa ep-trilogie die underground-grime-szene von lissabon, wo junge produzenten polyrhythmische inspiration aus der afro-diaspora zu einer elektronischen clubmusikmutation verarbeiten. die erste ep stellt fünf junge künstler vor, darunter die szenestars dj marfox und dj nigga fox. der begriff -cargaa- kommt aus dem straßenslang lissabons und bedeutet heiß, geil. 12 inch mit bedruckten innentaschen plus downloadcode.

limited edition of 200 copies, handstamped, vinyl only promo.
milos returns after the well recieved expressions e.p., here dropping another 2 effective dj treats!
kicking off with * work it out*, a healthy 303 backed slammer with huge sound, and classic work that mutha sample. stand out mastering from curved uk! heads down bomb!
flip for * test of time*, an enormous rave sampling, addictive dancefloor gem with a definate nod to the old skool, massive reverb effects and a thundering bass! in the right hands, this is an essential weapon!

active as a record releasing producer for a decade, james burnski burnham has credits for a wide variety of labels in his discography, gracing everyone from boe to hot creations. constant sound is a new label from the man, set up with jon woodall, burnski s production partner as constant. music from cab drivers, a scott, and richard rowell is promised over the coming months but it s a solo record from burnski that kicks matters off with your love. a collaboration with vocalist beckford, -your love- is one of those insistent, driving house cuts with dashes of acid to it and it s complemented by remixes from prime numbers man trus me and mosaic boss steve o sullivan who take the cut in markedly different directions. a solid start for constant sound! other releases by burnski burnski changes (12-) constant sound forthcoming other releases on constant sound a scott & chad mrs j (12inch) constant sound forthcoming burnski changes (12-) constant sound forthcoming what do you think of this release? write a review in the facebook comments box below: what do you think of this release? tell us what you think in the facebook comments box below: burnski - your love (incl. trus me & steve o sullivan remixes) burnski - your love (incl. trus me & steve o sullivan remixes)

big release again on peter van hoesen s time to express label. a set of 3 releases by sp-x. the moving through mirrors series showcases lean, contemporary techno. part 1 kicks off with e.t.a. and return to function, both prime examples of the stripped-down sweatbox grooves sp-x excels at. for adult dancefloors only

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

out of sight , the title track, is an elegant house exercise that takes you back to san francisco. recall is a brain bomb, hypnotic and psychedelic but with lots of energy, and has already been supported by the likes of raresh, rhadoo, djebali and apollonia, and is definately the cut to go in this record. to finish things off, romania s rising star mp, known for his works on soulsity and meterze, shows us his own view on out of sight , based on dynamic drums and a with an amazing bass leading the whole thing.

beguilingly fizzy electro vibes kick off the debut effort from the latest addition to nous ever expanding plethora of talent.

also - appleblim and second storey return to r&s with the third installment in their ep trilogy. *raves* opens up proceedings with an irresistibly shuffling drumtrack, scything lead lines and off-kilter bass, while on the flip *blyford bass* aiming directly at the dancefloor, turns up the wobble, dizzying perc patterns and gnarled subs to twist up speaker cones.

longtime figure main-player markus suckut continues his artistic development with this killer seven track, wide-reaching ep. based on the concept of providing rich ambient textures for the start of the night or dj set, and then heavy, minimalist techno tracks to satisfy driving, percussive club needs, suckut gives us another masterclass in his art. alongside the dense textures of for start #1-3 and their varying moods - from echoing steam-filled passges to off-world strings reaching for the skies - we are also treated to four heavyweight dj tools stamped with markus trademark elegant sound.

from earlydub records mastermind & creator, french native loquace has honored us with his edition of tabla, for our 5th release. after years of playing alongside flagship artists like: miss kitten, vitalic, stephan bodzin, tini & the gang, julian perez, anja schneider, and yaya, loquace has shown his commitment to the music, and has left quite an impression on many. with such releases on labels such as: little helpers, upon.you, kiara records, moan recordings, and kina music, loquace has made his musical impact, and shown great dedication, and true creativity, to say the least. loquace’s ep, entitled ‘momento’, starts off proper bringing our attention directly to the pulsating bass and excited cymbals, finding yourself on a colossal-like locomotive. nostalgia’s atmospheric rooms, brings us to a moment of breath, a certain euphoric feeling. getaway, takes us to the deep down drums while guiding you to the undertones of the bass. as we yearn for more, loquace delivers us – things. as the track unfolds, it will bring you into a groove, a distinctive rhythm, as the chorus keeps you on beat, the kicks dance around, and the secret stabs transport you to our closing, ending our journey with loquace on this edition of tabla.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club’s most battle hardened heads, its subtle machinations will prove deadly in the right dj’s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

as we move into a new year, again start the cogs of labels and artists around the world, this is certainly the case for disc over music as they bring us their first release of 2015. high off the back of exquisite releases in 2014 from luca lozano & mr. ho and nicson, disc over’s first installment of 2015 comes from label head tim green - a three track ep bursting with two classic tg productions and grooves which is then given another dimension with a remix from the talented german born producer borrowed identity. the ep kicks off with the aptly named ‘scar’ - a track which when heard, truly makes it mark. it sets the tone for the rest of the ep with it’s prominent bassline and haunting howls whilst dreamlike keys bounce and float above. track two, ‘we thought’ is taken down a gear but keeps all of the groove built from ‘scar’. it begins with a simple trademark tg bassline and is allied with light and free singular keys. the listener is then joined by vocals which along with the previous elements take you on a real trip. borrowed identity speeds things up right away with his remix of ‘we thought’. the track is morphed into a dancefloor groove with the comforting vocals darkened, cut and reworked on top of an unpredictable and fluctuating bassline. managing to keep the identity of tim’s original the track becomes something completely different and certainly makes you feel you want to take the trip

first off, we have two brothers (convenient, right) from italy who sent us a killer demo we simply couldn t refuse: the lion brothers. up next is the true veteran: lemakuhlar, who s finally back with a fresh dose of his awesome music. this one s a real gem, finally available after spending many years as an exclusive in maxim s sets. audio city soul is the new alter ego of one of our favourite artists, who s ready to take it to the next level. last but not least, maxim lany seals the deal with a new track called groot feest , which is dutch for big party... go figure!

goodies is a showcase of well known and fresh artist of the cabinet crew. dj honesty (aka honeydrop) kicks off with a nice n deep groover. the bassline is timeless. lemakuhlar follows with a simple and effective tech-house boom. one chord to rule them all. phazer shows his early nineties house roots. yeep ya. nohas track closes this package with a magical tune. some things to enjoy at home, on your ways or on the dancefloor.

frankfurt based label sensual strikes back with a 2x12 inch vinyl sampler. kick off 2015!

the latest instalment from danse club kicks off a much darker and harder side of the label previously unheard of on the now established imprint - with dark sleeves and muted colours there is a clear difference in sound and direction with the 17th release by emerson todd.danse club have called upon sascha dive, nathan barato and themselves (brodanse) for remix duties in order to take emerson todds original piece in three very dance floor led yet contrasting directions. from each of the remixers you get exactly what you would expect from the said names and the result is a package of stand out danse club tools that will find their way into a number of record bags permanently

introducing 3b records the label… an outlet for tufty club, jemmy & skyland mountain to release music of their own alongside amazing local talent and internationally established artists that they admire. be it techno, house, cosmic disco or something a little different their ethos remains simple … release quality music that they all feel connected to. kicking off the first release is liverpool based company is family. mark as he is known in everyday life is a lover of dub techno, and reductionist house.

kicking off with acid-soaked stepper x da05 sees the uk imprint continue to explore the darker recesses of the dancefloor. a bottom end as deep as you like combines with razor sharp percussion on this basement techno workout. the sound design of black science (version) warps the bleep techno blueprint into a swaggering half time roller before black science itself arrives. this dramatic piece merges tense, millsian atmospherics with stratospheric strings to create a timeless piece of expansive sci-fi techno. the filth ridden debris, a bottom-heavy groove for those of a serious disposition, rounds off another killer four track salvo of techno futurism from this on-point label.

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

after kicking off cut copys recent critically acclaimed oceans apart compilation of underground melbourne dance culture, knightlifes majestic dont stop finally sees a vinyl release of on his new 12inch, accompanied by a suzanne kraft remix and new acid tinged techno jam interstate 08.

helena hauff returning to werkdiscs with a 5-track ep, after that wicked actio reactio ep!
in the producers own words: lex tertia is a further exploration into the idea of grimy, sonically crushed, dysfunctional, insane stuff that kicks on where actio reactio left off.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

resin kicks off 2015 in monstrous style by introducing perth drug legend to the front line. the demented project of liam robertson, one half of the mighty clouds. with the broxden burners ep on west end communications and a remix on canadas turbo recordings, resin is very excited to introduce clubbers guide to craigie, a session of dark sludgy scottish techno.

a1. hold over me (ralph lawson & tuccillo vocal mix) a2. hold over me (2020vision remix) b1. hold over me (ralph lawson rise up dub) artist ralph lawson presents lost in time title hold over me (incl. 2020vision remix) label no.19 music catalogue no19056 format 12- dealer price £3.90 release date 30/03/2015 territory worldwide genre deep house zip download audio samples & images description uk house music legend ralph lawson launches a brand new project entitled ‘lost in time’, kicking off with a single on the ever excellent no.19 music

all bets are off with the third vinyl sampler from themas strength in numbers compilation, as the wide-reaching nature of the nyc label truly reveals itself with four varied and striking diversions into critical house music. pressing on translucent, neon green coloured vinyl.

classy but tough - rig hammering techno from australia...tip!the label say: weve had our eyes peeled on melbournes craig mcwhinney aka vohkinne for some time and couldnt be more pleased to finally send off these monsters he tailored for our second release, brilliant production and and a suited follow up to label owner patrik skoogs well received premier release a few months ago - format 12inch only!

early support from raresh, fred p. julietta, dana ruh!! after a first year of spellbinding releases, sol asylum returns in 2015 with a fresh various artist’s compilation featuring three finely crafted tracks from the sol asylum crew to kick-start the labels second year. bringing together a family of artists who have been there since the very beginning. starting off with the odd boys danny and damian, we go all the way back to the first release with a brand new remix of broken spell. whisking us away to a parallel universe of this odyssey, this remix is masterly conjured into a percussive exploration of the planet of odd. following the odd ones, julie marghilano unleashes another side of sol asylum with dragon drops. she unveils her known atmospheric soundscapes but with a heavily detailed rhythmic twist, made by experimenting with her field recordings to create a more stripped down sound that shows her range and versatility. last but certainly not least, miss jools calima brings the ep to a triumphant closure like a mystical fog. the elements of the track melt into drowning synths with crackling percussion and the elegantly designed grooves that levitate us steadily through the hypnotic melodies. the percussive strength of each track, while still being diverse links this collaboration of like-minded family members together as a cohesive potion.

4th and final part of this legendary morris audio compilation series bringing some new (origins sound, manooz) and old faces (volta cab, julien sandre), but keeping the house vibe in different shades. up and coming origins sound (glasgow underground, lost) present a bassy pumping uk house tune whereas volta cab (kolour, hypercolour) goes back the the rave days and invites us to some hardcore heaven. the flipside starts with morris audio buddy julien sandre, who is still some kind of secret underground weapon, even if he already released on argys these days label or on tsuba. finishing off the ep is manooz (alive, extended play) with a great deep and raw house tune. this all is for you, seven daze a week!

now he s launching departures ep , a steadily rolling dark techno infused 2-tracker to smash the club floors in 2015. get ready for take off!!

jonas rathsman marks the inaugural release on the newly established method white label, a club focused imprint from disclosure ’s method records that will deliver an on-going series of one-off releases available digitally and on a limited run of vinyl. “method white is going to be a platform to release some of our favourite music being created right now, that we feel represents the best of the best of underground electronic music today. we also want to take this further by djing alongside some of the acts who s music we release in our wild life events” - disclosure. jonas has gone a long way to prove his value to the dance music community, his releases on french express and remixes for the likes of london grammar, tensnake, duke dumont and sam smith have established rathsman as a driven and forward thinking producer and dj. with ‘wolfsbane’, jonas introduces the first installment on method white and like the flow er it’s named after, the track is just as deadly as it is beautiful. the track has already been a staple among sets from disclosure, huxley, duke dumont, justin martin and solomun among others with jonas perfecting a mix of dark and light while taking the impact of his drops to all new levels. with forthcoming dates including a six-date foray into north america in february, festival performances to come at bestival, lost village, hideout, parklife and the debut wild life festival in june,there are plenty of chances tocatch rathsman doing what he does best - working a crowd.

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.

hot off the back of the their successful inaugural release from quenum & cesare vs disorder, the young barcelona label continues to drive forward with their mission to move people by drawing from an expansive and expressive universe of melodic and rhythmic sounds. the result of this is a carefully curated, limited edition of vinyl release, and next in line is a brand new ep from russian producer and dj, tripmastaz.

deep, wayward and utterly groove-notic. optimo trax is starting off 2015 the right way…

capsule labs music groups debut release is a 4 track house ep from label boss gil t (om, drop music, deeper shades). taking off with the lush sounds of flight 107, a smooth synth journey, nicely descends to get down low¯. the afro cuban house beat sets a nice groove for the live jazzy vibraphone stabs of this classy track. the b side is a real bonus. the private driver really cruises and lastly, not so low is a chunky finisher remix of the title track, all done in house. locally farmed variety of true analog precision by gil tamazyan. each release has its own plastic drop card with a string being held in place with a limited pressing metal foil sticker individually numbered 1-500 on the back side of the jacket. heavyweight virgin vinyl.

recent output has seen dorisburg pushing into deeper realms. computer drumming are some further steps in these explorations of 4/4 rhythms and acoustic depth. with a wide range in tempo, the track titles offers aid for the venturous. a1 is a reduced jam of echoing percussion that never sees the entry of a kick drum. a2 compensates with bouncing bass and a playful array of drumming elements entering and dropping off in a bold tempo. exiting on a more well established pulse, the b side consists of the deepest and most mysterious offering from dorisburg to date. distant bells and chimes and a grand formation of percussion meets thundering bass in an encounter set on vast grounds.

*i cant even afford bed linen, let alone a 909*. the unpretentious of jay donaldson is disarming in many different ways. we consider donaldson aka palms trax to be one of the most promising new artists to date. his sound situates him firmly along the chicago-detroit axis, cooking up pad-driven jams, off kilter drums and hazy synths that shift like a gentle musical tide. in 2013 he inaugurated the lobster theremin label, the london-based imprint that quickly became one of the most talked about record labels around. when not travelling the world for prime-time gigs donaldson holds a residency at the widely respected berlin community radio. it is with great pleasure that we welcome golden boy palms trax to dekmantel records.

2015 repress !
nail provides the lead track for fofs latest vinyl only excursion - originally produced in the same time period as the classic tracks on the ode rammel reissue ep earlier in the year, glazed lay dormant on one of nails dats for many years before being rediscovered and given its first airing now on fof. chunky roughed up house beats are the order of the day here, a real peak time groove. new talent harry mccanna, resident at londons infamous undersound nights, debuts with act 1, a beautifully subtle bassline driven groove that rises above the pack with its super warm pad lending the track a warm and fuzzy hypnotic edge. romanian talent zece kicks off the flipside with the most contemporary offering, a breakbeat laden groove with a fx laden vocal snatch underpinned by that all important b-line whilst sonodab rounds things off with a beautifully deep and melodic slice of electro on brown study, the percussive elements giving rise to a hazy melodic pattern for those early hour excursions.